Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
Henry VIII jousting before Catherine of Aragon and her ladies at the tournament on 12 February

ID: 41425

unknow artist Henry VIII jousting before Catherine of Aragon and her ladies at the tournament on 12 February
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unknow artist Henry VIII jousting before Catherine of Aragon and her ladies at the tournament on 12 February


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unknow artist

  Related Paintings of unknow artist :. | Sexy body, female nudes, classical nudes 117 | horace de saussures expedition var den tredje som besteg mont blancs topp | Howard-s Grove Hospital,Richmond | Realistic Roses in The Wood | Still life floral, all kinds of reality flowers oil painting 162 |
Related Artists:
CARPI, Girolamo da
b. 1501, Ferrara, d. 1556, Ferrara His father Tommaso ( fl 1503-23) was a painter and decorator at the court of the Este in Ferrara, and Girolamo was trained in the workshop of Garofalo. He visited Rome in the early 1520s (Fioravanti Baraldi) and was in Bologna in 1525, where he worked with Biagio Pupini and Giovanni Borghese on the decoration of the sacristy of S Michele in Bosco. Around this time (1525) he painted the altarpiece of the Virgin Enthroned with Saints
CAPORALI, Bartolomeo
Italian painter, Umbrian school (b. ca. 1420, Perugia, d. 1505, Perugia)
Pontormo
Italian Mannerist Painter, 1494-ca.1556 Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter.






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